|home | alphabetical index|
Harold Pinter (born October 10, 1930) is an English playwright and theatre director. He has written for theatre, radio, television and film. His early work is often associated with the theatre of the absurd.
Pinter was born in Hackney in London, and briefly studied at the Royal Academy of Dramatic Art (RADA). He published poetry as a young man, and began working in the theatre as an actor. His first play, The Room, came in 1957. The same year he began work on The Birthday Party, probably his first play that is widely performed today. Initially, it was a flop, but following the success of The Caretaker in 1960, it was revived, and this time was well received. These plays, and other early ones such as The Homecoming (1964), have sometimes been labelled as displaying the "comedy of menace". They often take an apparently innocent situation, and turn it into a threatening and absurd one by means of characters acting in ways which seem inexplicable both to the audience and, sometimes, to other characters.
He began to direct more through the 1970s, becoming an associate director of the National Theatre in 1973. His later plays tend to be shorter, and on subjects which might be thought of as more political, often appearing to be allegories on oppression. It was around the 1970s that Pinter began to be more vocal on political matters, taking a distinctly left-wing stance. He continually strives to bring human rights violations and oppression to the public's attention. Letters from Pinter often appear in Britain's newspapers, such as The Guardian and The Independent.
In 1985 he travelled to Turkey with the American playwright Arthur Miller and met many victims of political oppression there. At an American embassy function honouring Miller, instead of exchanging pleasantries, Pinter spoke of people having an electric current applied to their genitals—which got him thrown out. (Miller, in support, left the embassy with him.) Pinter's experience of oppression in Turkey and the supression of the Kurdish language inspired his 1988 play Mountain Language.
Pinter's first screenplay, The Servant, was written in 1962. He later wrote scripts for The Go-Between and The French Lieutenant's Woman, among others. He also published a screenplay based on Marcel Proust's A la recherche du temps perdu, but this has never been filmed.
Pinter is a great fan of cricket and is the chairman of the Gaieties Cricket Club.
|copyright © 2004 FactsAbout.com|